W2377 | single-band parametric equalizer

Seamless frequency control from 20 Hz to 23.2 kHz

W2377 | single-band parametric equalizer

Three fully parametric filter modules cover the frequency range from 20 Hz to 23.2 kHz

LB “low band” 20 Hz – 730 Hz | MB “mid band” 155 Hz – 3.5 kHz | HB “high band” 1.03 kHz – 23.2 kHz

https://www.soundonsound.com/reviews/roger-schult-w2377
https://www.youtube.com/watch?v=Hx47jW632fY


milestone

W2377 – The classic, foundational universal filter circuit.

This circuit design originated in 1967, developed by William J. Kerwin, Lawrence P. Huelsman, and Ronald W. Newcomb. It is an analog filter design based on operational amplifiers that simultaneously provides low-pass, high-pass, and band-pass outputs, offering exceptional flexibility. The circuit was further refined by Roger Schult German Audio Lab and first introduced in 2003 in the UF1 unit. Concurrently, a second version – a specialized variant for Brainworx – was developed and released as a plug-in in 2007, known as the bx1.

description

The W2377 offers three fully parametric filter modules with overlapping low-, mid- and high-frequency bands covering frequencies from 20 Hz to over 23 kHz. Adjustable filter quality and integrated high-pass and low-pass filters enable precise sound shaping. True bypass, solo and focus functions allow for quick signal comparison and precise frequency selection.

features

  • Adjustable filter frequency range from 20 Hz to over 23 kHz
  • Overlapping frequency bands for Low, Mid, and High
  • Frequency potentiometer for Low, Mid, or High band filters
  • 9-position ELMA switch for selecting the filter quality (Q-factor) from 0.3 to 10
  • Level potentiometer with a range of +/- 10 dB and a center detent at 0 dB
  • Frequency-selective high-pass and low-pass filter functionality
  • True bypass and solo function via illuminated push-buttons
  • “Focus” (invert) function for the level control, activated via an illuminated push-button
  • Connectors for linking additional modules to the “solo” function

applications

High-quality, fully parametric filter modules for api® 500 systems, designed for precise frequency correction during recording, mixing and mastering, as well as effect filters for limiting the frequency range or removing unwanted frequencies.

Vocal-Correction: Annoying ‘top-end’ resonances or sharp ‘s’ sounds in the upper midrange are specifically attenuated using the high-band module.
Surgical Frequency Elimination: Thanks to a 9-position ELMA switch for filter Q (bandwidth), narrow-band resonances can be precisely isolated and attenuated.
Sub-Bass Control: With its continuously variable, pinpoint frequency selection in the low band, the W2377 cleans up the low-end register for kick drums and bass instruments.
Sonic Refinement During Recording: Increases headroom by eliminating intrusive room resonances or structural noise (footfall/vibrations) before the signal reaches the A/D converter.
Proactive Signal Cleaning: Ideally suited for precisely targeting and suppressing problematic room modes or frequency peaks caused by room acoustics.
Flexible Tracking Equalizer: Functions as a low-band filter for bass, a mid-band filter for guitars, or a high-pass filter for vocals during the recording process.
Creative Sound Shaping: Beyond purely corrective tasks, the module serves as a musical program equalizer, designed to tonally enhance and revitalize dull-sounding tracks.

sound clip

Tonspur-Ausschnitt + Bild + Text + Piktogramm

hier kommen dann die Beispielsounds
play | bypass | active
play | bypass | active

metrics

Technische Daten 02 / 2015

further information

Betriebsanleitung | Bulletin | Datenblatt| Testberichte | Videos
manual | bulletin | datasheet | test report | videos

further information

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